Ned Harris: New York Photographer

Ned Harris
New York Photographer 

"I work like an acrobat."

 

In 2012, Jim Austin interviewed New York based photographer Ned Harris and the artist Shoshana Spencer, Harris's granddaughter, about his photography career. 

Mr. Harris has lectured on photography for decades and has a second life as a curator, which began in 1978.  An exhibition at the Rockland Center for the Arts led to his becoming chairman of the exhibition committee. During his years with Rockland, he has overseen many exhibits featuring themes of social and political interest. Jim Austin interviewed him on his solo exhibits.

Interview:

Jim Austin (JA):  Tell me how does where you live influence your photography?

Ned Harris (NH):  I was born in the Bronx and grew up in Manhattan. I was a painter first and started taking the camera seriously in 1955.  I have always lived near the Hudson River and have a love for this river, just like Mark Twain loved the Mississippi.  And I've always been a beach comber with the compulsive urge to pick up objects, for transforming it. objects along the river, so over the years, I would photograph JA:  What do you mean by transforming an object?

NH:  I make an image of the found object and then take the photo into the studio, download it to my computer, and start transforming it in Photoshop.

 

JA:  So you worked with expressing your ideas both in film and with digital?

NH:  Yes, I got on board the digital train after working with film for many years. I've enjoyed having the digital world at my fingertips; it has greatly affected my attitude in a positive way. It comes at a wonderful moment. My prior work hasbecome new again through digital. 

 

 
 JA:  I can see from your images that digital is transformative for you. How to you think about your image-making philosophy now?

NH: I work like an acrobat.  I balance the images of New York City that I made with my digital camera in combination with my earlier work.  I started with a Nikon 35 mm camera.  I was always on the run in the city and everyone was moving so fast.  In those days I was working in black and white, so for awhile, I abandoned color, but came back to it.  Lately, I've been creating photos on the streets of New York, near 42^nd street and around where I used to work in my office doing cosmetic package design.  In my home gallery, I have a body of work from this part of NYC. If I was a hunter, that area in the city would be my hunting ground (laughing).

JA:  As we talk, and from looking at your prints, I get the sense that humor plays a large role in your photos, Ned, is that right?

NH:  It is.  Let me share a story.  One day I was walking around, with camera in-hand, and passed a storefront in Manhattan.  I saw someone carrying a body - hoisting it on his shoulders and out onto the street.  He put the body down on the sidewalk and I saw it was Albert Einstein.  I looked at the store and saw that I was outside the wax museum.  I photographed all the tourists who were photographing Einstein lying on the sidewalk, and strangers kept saying to me, “Do you know you look like Albert Einstein?” (pause... laughing).

JA:  So Ned, you told me you are 87 years old. What is the most important thing you've learned about photography, that you did not know when you are younger?

NH:  The camera is a wonderful friend that doesn't forget anything.  I don't remember, but my camera does!  And art is a wonderful connector!  All my friends are in the field of art.

 
JA:  You mentioned your home gallery.  Can you tell me about a couple of your recent gallery shows?
NH:  Yes, at the moment, I have 16 photographs in the GAGA Gallery in Garnerville near Haverstraw, New York, on the Hudson River. The GAGA Gallery was previously a 19^th century textile mill. This gallery was flooded during Hurricane Irene on August 20, 2011, and a lot of the art was damaged.

The show is called “ReConstruct”.  These images include portraits and New York scenes.  I treated all the photographs like a stage set, layering people over the scenes using Photoshop layers. I’ve also completed work for a group show at the Jewish Community Center in Rockland.  My work is called, "Expressions of Faith."  It explores signs of Jewish belief on the streets of New York and Jerusalem.  The completed photographs were created using my Photoshop experiments with the computer.

JA:  You have an impressive array of past exhibitions, many taking place at the present and more lined up for the future.  What are you working on now?  
NH:  I'm working on a series called “Double Vision”, bringing back my older paintings and putting them side-by-side with my photographs.  I'm connecting the past with the present.  This connection is magic, because the older I get the more I know.  There are things that the camera remembers—where I was and moments with my wife and family. I'm reliving it as if it were yesterday.  

 

   


    Jim Austin also spoke with Ned's granddaughter, the artist Shoshana Spencer, for another perspective on her grandfather's art.

JA: What do you recall about your grandfather's photography?

SS: My early memory of his work was seeing his black and white pictures of found objects throughout New York City in his book, Form and Texture.  He photographed public spaces and unique, quirky things.  That's a strong theme in his work.  I mean, he's definitely had a diverse career.             
 

JA: What are your grandfather's strengths as an artist?
SS: His “eye” and his sense of humor stands out - finding the humor and the quirky in every day experiences.  He never goes anywhere without his camera.  Even in the most mundane and ordinary circumstances, something always catches his eye.  He's also incredibly outgoing.  At his shows he loves to talk about his work and share his ideas with other people.  Also, he makes such a range of creative work.  I love going to his studio.  It's not just printed photographic art.  He always finds a way to make 3D models, hang them and display them in a dimensional, unique way. 

JA: How has your grandfather and his art influenced you?
SS: He has been my biggest mentor.  My parents support my art, but as far as art goes, I've been especially connected to my grandfather.  Even in high school, he was the one who encouraged and pushed me when I was not sure of my direction.  He would tell me things would work out.  As I got older, I started to see the things about art and composition that he would point out to me. 

I recently took up the art of photography. A portion of my craft is me observing him, while another portion is us building on each other’s ideas, because we share a similar personality.
 

JA: Thanks, Shoshana, and Ned, I'm grateful to you both for making time to share your passion for photography.